Following the successful release of "A Moment Like This", Clarkson's full-length debut album Thankful was released in North America by RCA Records on April 15, 2003.It debuted at number one on the U.S. Billboard 200. Eventually, the album was certified double platinum by the RIAA for sales of two million copies on December 8, 2003 and platinum by the CRIA for sales of 100,000 copies on February 10, 2004. Reviews for the album were generally favorable. However, several critics noted that her early success was established due to her performances on American Idol. All Music Guide critic Stephen Thomas Erlewine praised the album for its vocal ability: "throughout this record, [Clarkson] makes it seem effortless and charming. She can croon, she can belt out a song, she can be sexy and sassy while still being graceful and as wholesome as the girl next door". Rachel Kipp of JS Online criticized Clarkson for not having the same personality on Thankful that she had on American Idol, and wrote: "on American Idol, Clarkson showcased a great voice and an endearing, 'aw-shucks' personality. That personality is missing on Thankful, and there lies the album's greatest fault". Kipp blamed the producers behind the album for not allowing Clarkson to be herself.
"Miss Independent" became a success when released as the second single from Thankful. It reached the top ten of the U.S. and Canadian singles charts, and earned Clarkson a 2004 Grammy Award nomination for "Best Female Pop Vocal Performance". When the single was released in the United Kingdom and Australia, it reached the top ten of the charts, however, Thankful received less attention. It peaked at number forty-one on the UK albums chart and at number thirty-three on the Australian albums chart. Further singles released outside North America would appear even less successful.
"Low", the third single from Thankful, reached number two in Canada, but it was unable to make the Top 40 of the U.S. chart. The final single "The Trouble with Love Is" was not released in Canada, and it peaked at #101 on the U.S. Charts. Clarkson attributed the underperformance of both releases to poor management and relieved her manager Simon Fuller, who she felt was not completely focused on her career.
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