In 1983, after the recording of DaDa, Cooper was re-hospitalized for alcoholism. In a deathly state of health, he relocated back to Phoenix, Arizona, in order to try and save his marriage from collapse and so that he could receive the support of family and friends. Cooper was finally clean and sober by the time DaDa and The Nightmare home video (of his 1975 TV Special) were released in the fall of that year; however, both releases performed below expectations. Even with The Nightmare scoring a nomination for 1984's Grammy Award for Best Long Form Music Video (he lost to Duran Duran), it wasn't enough for Warner Bros. to keep Cooper on their books, and in 1984 Alice Cooper became, for the first time in his career, a free agent.
After over a year on hiatus, during which time he spent being a full-time dad, perfecting his golf swing everyday on the course, and also finding time to star in the Spanish B-grade horror movie production Monster Dog, Cooper sought to pick up the pieces of his musical career, and in 1985 he met and began writing songs with guitarist Kane Roberts. Cooper was subsequently signed to MCA Records, and appeared as guest vocalist on Twisted Sister's song "Be Chrool To Your Scuel". A video was made for the song, featuring Cooper donning his black snake-eyes make-up for the first time since 1979, but any publicity it may have given to Cooper's return to the music scene was cut short as the video was promptly banned due to its graphically gory make-up (by Tom Savini) of the innumerable zombies in the video and their insatiable appetite for gorging on human flesh.
In 1986, Alice Cooper officially returned to the music industry with the album Constrictor. The album spawned the hits "He's Back (The Man Behind the Mask)" (the theme song for the movie Friday the 13th Part VI: Jason Lives; in the video of the song Cooper was given a cameo role as a deranged psychiatrist) and the fan favorite "Teenage Frankenstein". The Constrictor album was a catalyst for Cooper to make (for the first time since the 1982 Special Forces tour) a triumphant return to the road, on a tour appropriately entitled The Nightmare Returns. The Detroit leg of this tour, which took place at the end of October 1986 during Halloween,was captured on film as The Nightmare Returns, and is viewed by some as being the definitive Alice Cooper concert film.The concert, which received rave reviews in the rock music press,and which was also described as bringing "Cooper’s violent, twisted onstage fantasies to a new generation"sees a reborn and sober Cooper who is leaner, meaner, fitter and in imperious form, and demonstrating a complete mastery over the stage and his music, in a series of meticulously choreographed and flawlessly executed songs that span his career up to that point, and which feature his full repertoire of stunts, special effects, darkly black humour, horror and gore. The Constrictor album was followed by Raise Your Fist and Yell in 1987, which had an even rougher sound than its predecessor, as well the Cooper classic "Freedom". The subsequent tour of Raise Your Fist and Yell, which was heavily inspired by the slasher horror movies of the time such as the Friday the 13th series and Nightmare on Elm Street, served up a similar shocking spectacle as its predecessor, and courted the kind of controversy, especially in Europe, that recalled the public outrage caused by Cooper’s public performances in America in the early 70s. In Britain, the Labour member of parliament David Blunkett called for the show to be banned, saying "I'm horrified by his behaviour – it goes beyond the bounds of entertainment".The controversy spilled over into the German segment of the tour, with the German government actually succeeding in having some of the gorier segments of the performance removed.It was also during the London leg of the tour that Cooper met with a near fatal accident during the hanging execution sequence at the end of the show.Needless to say the attendant publicity served only to increase public interest and ensure that the tour was completely sold out.
Constrictor and Raise Your Fist and Yell were recorded with lead guitarist Kane Roberts and bassist Kip Winger, both of whom would leave the band by the end of 1988 (although Kane Roberts played guitar on "Bed Of Nails" on 1989's album Trash). Roberts would continue as a solo artist while Kip Winger would go on to form Winger.
In 1987, Cooper made a brief appearance as a vagrant in the horror movie Prince of Darkness, directed by John Carpenter. His role had no lines and consisted of generally menacing the protagonists before eventually impaling one of them with a bicycle frame. Cooper also appeared at WrestleMania III, escorting wrestler Jake 'The Snake' Roberts to the ring. After the match was over, Cooper got involved and threw Jake's snake Damien at The Honky Tonk Man's manager Jimmy Hart. Jake considered the involvement of Cooper to be an honor, as he had idolized Cooper in his youth and was still a huge fan.
In 1988 Cooper's contract with MCA Records expired and he signed with Epic Records. Then, in 1989, his career finally experienced a real revival with the Desmond Child produced album Trash, which spawned a hit single "Poison", which reached #2 in the UK and #7 in the US, and a worldwide arena tour.
1991 saw the release of Cooper's 19th studio album Hey Stoopid, however, amidst the grunge rock explosion, it failed to have the same commercial impact as its predecessor, Trash, though several of rock music’s glitterati again guested on the record. The same year also saw the release of the video Alice Cooper: Prime Cuts which chronicled his entire career using in depth interviews with Cooper himself, Bob Ezrin, and Shep Gordon. One critic has noted how Prime Cuts demonstrates how Cooper had used (in contrast to similar artists who succeeded him) themes of satire and moralisation to such good effect throughout his career.It was in the Prime Cuts video that Bob Ezrin delivered his own summation of the Alice Cooper persona: "He is the psycho killer in all of us. He's the axe murderer, he's the spoiled child, he's the abuser, he's the abused; he's the perpratrator, he's the victim, he's the gun slinger, and he's the guy lying dead in the middle of the street".
By the early 1990s Cooper had become a genuine cultural icon, guesting on records by the most successful bands of the time, such as the Guns N' Roses album Use Your Illusion I, (on which he shared vocal duties with Axl on the track "The Garden"); making a brief appearance as the abusive stepfather of Freddy Krueger in the Nightmare On Elm Street film Freddy's Dead: The Final Nightmare (1991); and making a famous cameo appearance in the 1992 comedy film Wayne's World, in which he and his band intellectually discuss (after a performance of the song "Feed My Frankenstein" from Hey Stoopid) the history of Milwaukee in surprising depth. In a now famous scene, the movie's main characters Wayne and Garth, on seeing Cooper, kneel and bow reverently before him while chanting "We're not worthy! We're not worthy!"
Cooper released in 1994 The Last Temptation, his first concept album since DaDa, which dealt with issues of faith, temptation, alienation, and the frustrations of modern life, and which has been described as "a young man's struggle to see the truth through the distractions of the 'Sideshow' of the modern world".Concurrent with the release of The Last Temptation was a three-part comic book series written by Neil Gaiman, fleshing out the album's story. This was to be Cooper’s last album with Epic Records, and his last studio release for six years, though during this period the live album A Fistful of Alice was released, and in 1997 he lent his voice to the first track of Insane Clown Posse's The Great Milenko. In 1999, the four-disc box set The Life and Crimes of Alice Cooper appeared, which contained an authorized biography of Cooper, Alcohol and Razor Blades, Poison and Needles: The Glorious Wretched Excess of Alice Cooper, All-American, written by longtime Creem magazine Canadian editor Jeffrey Morgan.
During his absence from the recording studio, Cooper toured extensively every year throughout the latter part of the 1990s, including, in 1996, through South America, which he had not visited since 1974. Also in 1996, Cooper sang the role of Herod on the London cast recording of the musical Jesus Christ Superstar.
The 2000s has seen a sustained period of activity from Cooper, in which, in the decade that he turned sixty, he has toured extensively and released (after a significant break) a steady stream of studio albums to favorable critical acclaim. During this period Cooper has also been recognized and awarded in various ways: he received a Rock Immortal award at the 2007 Scream Awards;was given a star on the Hollywood Walk of Fame in 2003;he received (in May 2004) an honorary doctoral degree from Grand Canyon University;was given (in May 2006) the key to the city of Alice, North Dakota;he scooped the living legend award at the 2006 Classic Rock Roll of Honour event;he won the 2007 Mojo music magazine Hero Award;and fans have twice tried to induct him into the Rock and Roll Hall of Fame.
The lengthy break between studio albums ended in 2000 with Brutal Planet, which was a return to horror-lined heavy metal, with a vicious injection of industrial rock, and with subject matter thematically inspired by the brutality of the modern world, set in a dystopian post-apocalyptic future, and also inspired by a number of news stories that had recently appeared on the news channel CNN.The album was produced by Bob Marlett, with longtime Cooper production collaborator Bob Ezrin returning as Executive Producer. The accompanying world tour, which included Cooper’s first concert in Russia, was a resounding success, introducing Alice Cooper to a new audience and producing the live home video, Brutally Live, in 2001. During one memorable episode in Brutally Live, Britney Spears (being played by Alice Cooper’s real life daughter, Calico), and representing "everything that my audience hates - the softening of rock and roll...the sweetness of it"is executed by Cooper.
Brutal Planet was succeeded by the sonically similar and widely acclaimed sequel Dragontown, which saw Bob Marlett back at the helm as Producer. The album has been described as leading the listener down "a nightmarish path into the mind of rock's original conceptual storyteller"and by Cooper himself as being "the worst town on Brutal Planet".Like The Last Temptation, both Brutal Planet and Dragontown are albums which explore Cooper's personal faith perspective (born again Christianity). It is commonly perceived in the music media that Dragontown forms the third chapter in a trilogy begun with The Last Temptation;however, Cooper has himself indicated that this is in fact not the case.
Cooper again adopted a leaner, cleaner sound for his critically acclaimed 2003 release The Eyes Of Alice Cooper. Recognizing that many contemporary bands were having great success with his former sounds and styles, Cooper worked with a somewhat younger group of road and studio musicians who were very familiar with his oeuvre of old. However, instead of rehashing the old sounds, they updated them, often with surprisingly effective results. The resulting Bare Bones tour adopted a less-orchestrated performance style that had fewer theatrical flourishes and a greater emphasis on musicality. The success of this tour helped support the growing recognition that the classic Cooper songs were exceptionally clever, tuneful, and unique.
Cooper's radio show, Nights with Alice Cooper, began airing on January 26, 2004 in several US cities. The program showcases classic rock, Cooper's personal stories about his life as a rock icon, and interviews with prominent rock artists. The show appears on nearly 100 stations in the US and Canada, and has also been sold all over the world.
A continuation of the songwriting approach adopted on The Eyes of Alice Cooper was again adopted by Cooper for his 24th studio album, Dirty Diamonds, released in 2005. Dirty Diamonds became Cooper's highest charting album since 1994's The Last Temptation.The Dirty Diamonds tour launched in America in August 2005 after several European concerts, including a performance at the Montreux Jazz Festival in Switzerland on July 12. Cooper and his band, including Kiss drummer Eric Singer, were filmed for a DVD released as Alice Cooper: Live at Montreux 2005. One critic, in a review of the Montreux release, commented that Cooper was to be applauded for "still mining pretty much the same territory of teenage angst and rebellion" as he had done more than thirty years previously.
In December 2006, the original Alice Cooper band reunited to perform six classic Alice Cooper songs at Cooper's annual charity event in Phoenix, entitled "Christmas Pudding".
On July 1, 2007 Cooper performed a duet with Marilyn Manson at the B'Estival event in Bucharest, Romania.The performance represented a reconciliation between the two artists; Cooper had previously taken issue with Manson over his overtly anti-Christian onstage antics, which included tearing up bibles, and he had sarcastically made reference to the originality of Manson’s choosing a female name and dressing in women's clothing.Cooper and Manson have been the subject of an academic paper on the significance of adolescent antiheroes.
In January 2008 he was one of the guest singers on the new Avantasia album The Scarecrow, singing the 7th track, "The Toy Master".
In July 2008, after lengthy delays, Cooper released Along Came a Spider, his 25th studio album. It was Cooper's highest charting album since 1991's Hey Stoopid, reaching #53 in the US and #31 in the UK. The album, visiting similar territory explored in 1987's Raise Your Fist and Yell, deals with the nefarious antics of a deranged serial killer named "Spider" who is on a quest to use the limbs of his victims to create a human spider. The album generally received positive reviews from music critics, though Rolling Stone magazine opined that the music on the record sorely missed Bob Ezrin's production values.
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